Kenneth M. Setton, Harry W. Hazard's A History of the Crusades, Volume IV: The Art and PDF

By Kenneth M. Setton, Harry W. Hazard

ISBN-10: 0299068242

ISBN-13: 9780299068240

The six volumes of A historical past of the Crusades will stand because the definitive heritage of the Crusades, spanning 5 centuries, encompassing Jewish, Moslem, and Christian views, and containing a wealth of knowledge and research of the heritage, politics, economics, and tradition of the medieval international.

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Extra resources for A History of the Crusades, Volume IV: The Art and Architecture of the Crusader States

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128. 131. Fulcher of Chartres, trans. Ryan, p. 218. 20 A HISTORY OF THE CRUSADES Iv were covered with rugs. Censers with burning incense would be set in the streets and silk curtains hung before the houses;'32 rugs and incense were common commodities in the Near East. Musicians appeared, enjoyed perhaps not so much for their own sake as for the fact that they were an accompaniment for festive occasions. 133 On one occasion a string player and a singer, belonging to Saladin, charmed king Richard.

The city and harbor can be seen on a map in E. G. Rey. 'architecture militaire des croise's en Syrie et dans I ile de Chypre (Paris, 1871), p. 171. For comments on it by Arabic geographers see Guy Le Strange, Palestine under the Moslems (London, 1890), pp. 328-334. 15. Itinerarium peregrinorum et gesta regis Ricardi, ed. William Stubbs, in Chronicles and Memorials of the Reign of Richard I, vol. I (Rolls Series, XXXVIII; London, 1864), p. 76; this work is probably by one Richard of London. 6 A HISTORY OF THE CRUSADES IV were accustomed to pitch their tents.

Ryan, p. 271. 150. James of Vitry, Historia, p. 65. 151. Usamah, pp. 169-170. 152. 2," pp. 27-29. 153. Ambrose, p. 81. 154. , p. 11 S. Ch. i LIFE AMONG THE EUROPEANS IN PALESTINE AND SYRIA 23 west. Every man began his dressing by putting on braies or linen underdrawers (unless he were a Scot or a member of the Cistercian order! 1 ss Over these went a linen shirt, and over that a bliaut, which had open sleeves (not necessarily laced). A Phrygian-style cap might be worn, with the peak tilted forward, and in spring young folk often wore a wreath of flowers.

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A History of the Crusades, Volume IV: The Art and Architecture of the Crusader States by Kenneth M. Setton, Harry W. Hazard

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